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Committed to supporting artists, curators, and researchers by offering them time and space to pursue their research without the pressure of deadlines and production commitments, the Residencies Programme values the open-ended nature of artistic research and embraces multiform expressions of creative enquiry. Aiming to facilitate the production of knowledge, this studio-based programme is dedicated to established and emerging artists and serves as platform for critical exchange in Southeast Asia. The Residencies Programme offers a wide spectrum of programmes aimed at sharing the process of artistic research with the public - Residencies OPEN / Studio Sessions / Insights, which range from open studios, artists’ talks, conversations, performances, and screenings. The Residencies Programme unfolds through annual cycles and runs by nomination only. Every year, a rotating pool of curators and arts professionals from all over the world is invited to nominate two artists for the residency. The nominated artists are subsequently invited to submit a research proposal along with their portfolio and CV. Ultimately, the Residencies Committee, an international panel of experts, reviews the submitted materials and designates the artists who are awarded the residency.


Taloi Havini

Residency period

The artist’s residency was scheduled from October to December 2020. Due to the COVID-19 virus outbreak and international travel restrictions, the residency could not be carried out as planned.


Ranging from photography and sculpture to mixed-media installations, the diverse practice of Taloi Havini (b. 1981, Autonomous Region of Bougainville/Australia) explores sites of political conflicts ensuing from colonial occupations unravelling narratives of nation building within the Pacific. In positing personal responses within contested sites and histories of Oceania, her work recalibrates dominant histories and structures of representation. Havini’s solo exhibitions include Reclamation, Artspace, Sydney, Australia (2020) and Habitat, Palais de Tokyo, Paris, France (2017). Her works have been selected as part of group shows such as Dhaka Art Summit, Bangladesh (2020); A beast, a god, and a line, Kunsthall Trondheim, Norway (2019); and the 9th Asia Pacific Triennial of Contemporary Art, Queensland, Australia (2018).


Drawing from ancestral histories of her birthplace, the Autonomous Region of Bougainville, Taloi Havini’s practice delves into colonial histories, the politics of location, and contested sites and materials. Many socio-political and environmental issues have pervaded Bougainville in the aftermath of a civil war that resulted from the contentious operations of the Panguna copper mine. Frequently collaborating with practitioners from her matrilineal clan in Bougainville, Havini’s ongoing research explores the transmission of indigenous knowledge systems and the conflicting interests of fraught sites in Bougainville through dissecting the biases of official archives and personal records. With issues of climate, migration, and extractive industries orienting her research compass, she will use the residency to connect with other thinkers to trigger exchange of perspectives between Southeast Asia and Oceania.

Image: Taloi Havini, Habitat I: Konawiru, 2016, HD single channel video. Courtesy the artist.