Ho Tzu Nyen
1 October 2019 – 28 April 2020
Premised on complex sets of references, the artistic production of Ho Tzu Nyen (b.1976, Singapore) harnesses film, video, performance, and installation. His richly layered and technically challenging works weave together facts and myths to mobilise different understandings of Southeast Asia’s history, politics, and belief systems. Recent solo exhibitions were held at Edith-Russ-Haus For Media Art, Oldenburg, Germany (2019); Kunstverein in Hamburg, Germany (2018); Shanghai Ming Contemporary Art Museum, China (2018); Asia Art Archive, Hong Kong (2017) among others. His works have also been included in major group exhibitions such as: Aichi Triennale, Japan (2019); Sharjah Biennial 14, United Arab Emirates (2019); Gwangju Biennale, South Korea (2018); Dhaka Art Summit, Bangladesh (2018) among many others. He is co-curator of the 7th Asian Art Biennal, Taichung, Taipei (2019). Ho represented Singapore at the 54th Venice Biennale (2011).
The time and space of the residency are being used by Ho Tzu Nyen to map out his current and forthcoming projects for the next three years as well as their conceptual and aesthetic kinships. Other than further iterations of his growing multi-part work The Critical Dictionary of Southeast Asia (2014-ongoing), the artist is currently engaged in a series of works that probe Asia’s political histories and spiritual thought systems. Specifically, he is interested in the histories of revolt and subversion sited at both the ‘left’ and the ‘right’ end of the political spectrum, paying attention to figures, moments, and movements that eschew classification under an obsolete scheme of polarized opposition. At the same time, he is also intent on speculating about the relevance these questions will carry in 50 years’ time when our existing epistemological frameworks will be drastically altered by accelerated technological transformations, geopolitical shifts, and ecological crises at a planetary level.
Image credit: Ho Tzu Nyen, The Critical Dictionary of Southeast Asia, 2017, algorithmically composed video, infinite loop. Courtesy the artist.
18 Jan 2020, Sat 02:00 PM - 07:00 PM
Residencies OPEN offers a rare insight into the artist’s studio. Through discussions, performances, installations, and presentations of works-in-progress, Residencies OPEN showcases the diversity of contemporary art practice from around the globe and the divergent ways artists conceive an artwork with the studio as a constant space for experimentation and research.
Featuring Artists-in-Residence: Rossella Biscotti (Italy/Belgium), Carolina Caycedo (United Kingdom/United States), Fyerool Darma (Singapore), Ho Tzu Nyen (Singapore), Prapat Jiwarangsan (Thailand), Alecia Neo (Singapore), Trevor Yeung (Hong Kong).
Image: Façade of Residencies studios, Block 38 Malan Road, Residencies OPEN x Art After Dark, 20 September 2019, NTU CCA Singapore.