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Committed to supporting artists, curators, and researchers by offering them time and space to pursue their research without the pressure of deadlines and production commitments, the Residencies Programme values the open-ended nature of artistic research and embraces multiform expressions of creative enquiry. Aiming to facilitate the production of knowledge, this studio-based programme is dedicated to established and emerging artists and serves as platform for critical exchange in Southeast Asia. The Residencies Programme offers a wide spectrum of programmes aimed at sharing the process of artistic research with the public - Residencies OPEN / Studio Sessions / Insights, which range from open studios, artists’ talks, conversations, performances, and screenings. The Residencies Programme unfolds through annual cycles and runs by nomination only. Every year, a rotating pool of curators and arts professionals from all over the world is invited to nominate two artists for the residency. The nominated artists are subsequently invited to submit a research proposal along with their portfolio and CV. Ultimately, the Residencies Committee, an international panel of experts, reviews the submitted materials and designates the artists who are awarded the residency.


Ang Song Nian

Residency period

2 May – 30 August 2019


Through photography and installation, Ang Song Nian (b. 1983, Singapore) scrutinises traces of human presence in the landscape. Intrigued by the power of the photographic image to convey complex and layered narratives, he favours a “microscopic approach” that unleashes the imperceptible and ideological potential embedded in small details. His most recent solo exhibitions are As They Grow Older and Wiser, Objectifs, and Hanging Heavy On My Eyes, DECK, both Singapore (2017). He has participated in group exhibitions at Bangkok University Gallery, Thailand (2016) and Photo España Festival, Spain (2012) amongs others. Ang is currently lecturer in Photography at the School of Art, Design and Media at Nanyang Technological University, Singapore.




During the residency, Ang Song Nian will continue his ongoing investigation into human interventions on the urban landscape by focusing on plant nurseries and the potted plants industry in Singapore. This research unfolds in the wake of a residency at Bangkok University Gallery that culminated with the work As They Grow Older and Wiser (2016). Ang was fascinated by the legal loopholes that allowed for a massive transplanting of rare and exotic trees from the region of Chiang Mai to the fast-changing city of Bangkok for decorative purposes. Framed against Singapore’s nation-building narratives, the artist is interested in the manipulation of nature through state-driven initiatives and policies of environmental control, greening, and city-branding. Such endeavours include the Tree Planting campaign of 1963 and the government’s subsequent initiatives directed to fabricate a new understanding of nature and obliterate the country’s past of clearing forests to make way for plantation economy.

Residencies brochure (July – September 2019)
Residencies brochure (April – June 2019)