Malevich focuses on the idea of going back to square one and a time for the artist to work on unfinished projects enabled by NTU CCA Singapore’s Residencies Programme, dedicated to facilitating the creation of work through research and knowledge production. Join Lee Wen and guest collaborators in a multi-disciplinary showcase involving drawing, music and performances based on Lee’s playful response to Singapore being “square” and Russian Suprematist artist, Kazimir Malevich’s painting Black Square (1915).